Paris Without End: The True Story of Hemingway's First Wife

Paris Without End: The True Story of Hemingway's First Wife
Gioia Diliberto (Auteur)

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Description du produit

“Fascinating….A detailed, grittier portrait of the woman Hemingway loved and left.” (Newsday )

“Impressively researched and judiciously written . . . Diliberto has made a lasting place for Hadley in readers’ hearts.” (People )

“A bittersweet modern love story [that] reads as easily as a novel . . . their intimacy and candour was the raw material for Hemingway’s great early short stories which achieved a powerful new realism about he relations between men and women.” (Vogue )

“No one has written with such insight about [Hadley].” (The Oregonian (Portland) )

“Diliberto has done an exemplary job of digging out the facts…the book brings Hadley to life on the page as never before.” (Chicago Tribune )

“Tell[s] the sweeping story of [Hadley’s] romance with Hemingway with all the warmth and excitement they generated…It portrays Hadley - somewhat neglected by Hemingway’s earlier biographers - as a spirited and interesting woman.” (Washington Post Book World )

“Gioia Diliberto’s book…cuts through the simplistic myths surrounding her subjects and gives us instead a thoughtful, detailed and rewarding look at what it cost one very talented woman to inspire the best work from one of America’s…literary geniuses.” (Minneapolis Star Tribune )

“Skillfully shows how Hemingway’s life with Hadley was reflected in his writing . . . Insightful…Turns both Ernest and Hadley Hemingway, with all their flaws, into recognizably human figures, as it relives their bittersweet romance.” (Parade )

“Fascinating not only for its portrait of a very special woman but for its insight into Hemingway’s personality and work as well.” (Daily News )

“Beautifully crafted, rigorously researched, and absolutely heartbreaking.” (Chicago Magazine )

“An unusual biography that makes its points with intelligence and clarity.” (Newark Star Ledger )

“Juicy.” (Los Angeles Times )

“A riveting portrait . . . superbly evokes Paris of the 1920s.” (New Woman )